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Post-Show Returns: The 14-Day Window Every Producer Misses

Why most contracts give you 14 days, what to include in your close-out, and how to automate the whole thing so overage royalties bill themselves.

ITIndependent Theatre Licensing··6 min read

Almost every theatre licence contract in Australia includes a returns clause: within 14 days of your final performance, the producer must submit attendance and gross box office to the rights-holder. It's the single most-missed clause in stage licensing — and the one that increasingly blocks producing companies from getting their next licence approved. Here's why the window exists, what to include, and how to make sure your team never misses it again.

Why the 14-day window exists

Returns are how authors and estates get paid the variable portion of their royalty — the bit calculated against actual attendance rather than your upfront estimate. Without timely returns, the rights-holder has no way to invoice overage and no way to report accurate income to authors at year-end. Rights-holders who track this closely (and most modern platforms do) flag late returners automatically and the next licence request goes straight to manual review.

What to submit

  • Total number of performances actually staged
  • Total paid attendance
  • Total gross box office — including comps at face value if your contract requires it
  • Concession breakdown if your pricing rule depends on it (e.g. lower royalty on school matinees)
  • Any cancelled performances and the reason

What happens next

The platform recalculates the total royalty owed from your actual figures, subtracts the upfront fee you paid, and either closes the licence out (if upfront covered it) or generates an overage invoice for the difference. Overage is typically due within 7 days and paid via Stripe — no spreadsheet, no follow-up email, no awkward call.

If you overpaid

If actual attendance came in below projection and the upfront fee exceeded the calculated royalty, most amateur contracts treat the upfront as a minimum guarantee — there's no refund. A few publishers credit the difference against a future licence; check your contract's returns clause to see which applies.

Automating it

Independent Theatre Licensing sends close-out reminders at T-3, T-1, T+1, T+7 and T+14, and surfaces a banner on your dashboard until returns are filed. Most producers file in under five minutes — paste in the numbers from your box-office system, confirm, and you're done. There's also a CSV import for companies running multiple licences in parallel.

See it in action

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